The statement "Jesus died on the cross" may seem simple and straightforward, but the historical realities surrounding crucifixion in the Roman world—and the details preserved in the canonical Gospels—point to a far more complex and brutal process leading to Jesus' death.
We begin in the Garden of Gethsemane, where the Gospel of Luke records that Jesus, in deep distress, experienced a phenomenon described as sweating blood: “And being in anguish, he prayed more earnestly, and his sweat was like drops of blood falling to the ground” (Luke 22:44, NIV). While there is scholarly debate about the textual authenticity of this verse (as some early manuscripts omit it), the description has often been linked to a rare but documented medical condition called "hematohidrosis," in which extreme stress causes capillaries to rupture in the sweat glands, producing a bloody sweat. As one Christian apologetic work conveys, "What this did was set up the skin to be extremely fragile so that when Jesus was flogged by the Roman soldier the next day, his skin would be very, very sensitive."[1] By this time, Jesus may have likely been in danger of going into shock, and could die unless given fluids, which he clearly was not.
Following his arrest, Jesus was subjected to physical abuse both by members of the Jewish leadership and by Roman soldiers (Mark 14:65; Matthew 26:67–68; John 19:1–3). The Roman flogging (Latin flagellatio) was particularly brutal. The typical instrument was a flagrum—a short whip with multiple leather thongs, often embedded with bits of bone or metal designed to tear flesh.[2] Roman scourging was intended to weaken the victim to the point of near-death prior to crucifixion, with no legal limit to the number of lashes administered. Historical records such as those from Josephus and Seneca the Younger attest to the brutality of Roman floggings and their capacity to cause massive blood loss, shock, and sometimes death even before crucifixion.[3]
Jesus was also mocked with a crown of thorns (Matthew 27:29; Mark 15:17; John 19:2), a gesture with both physical and symbolic cruelty. Scholars have suggested that the plant used could have been the Ziziphus spina-christi (nabk), common in the area around Jerusalem and known for its long, sharp thorns.[4] The Gospel narratives note that after these abuses, Jesus was forced to carry his own cross—or more likely, the horizontal beam (patibulum)—to the execution site at Golgotha, before being assisted by Simon of Cyrene (Mark 15:21; Matthew 27:32; Luke 23:26).
Crucifixion itself was a method designed for maximum pain and public humiliation. It was reserved primarily for slaves, rebels, and criminals who posed a threat to Roman order. Victims were typically stripped naked, affixed to the cross with ropes or nails, and left to die slowly over hours or even days. Archaeological evidence—such as the remains of a first-century crucified man named Yehohanan found near Jerusalem—confirms the historical practice of nailing victims through the wrists or forearms and the feet.[5]
The Gospels describe Jesus' crucifixion in terms consistent with known Roman practices: he was nailed to the cross, mocked by passersby, and offered sour wine to drink (Mark 15:23, 36; Matthew 27:34, 48; John 19:28–30). The physical cause of death in crucifixion is still a matter of some medical debate. Suggested mechanisms include asphyxiation due to impaired respiration, hypovolemic shock from blood loss, cardiac arrhythmia, or heart failure brought on by physical trauma and exhaustion.[6] John’s Gospel adds a detail of post-mortem piercing with a spear, with blood and water flowing from the wound (John 19:34). This has been interpreted variously—both in ancient and modern sources—as potential evidence for cardiac rupture or fluid buildup in the pleural cavity (pericardial effusion).[7]
Roman authorities were known to leave crucifixion victims on display for days as a deterrent, as famously happened to the followers of Spartacus along the Appian Way in 71 BCE.[8] The Gospels, however, record that Jesus’ body was removed the same day, in accordance with Jewish burial customs and laws concerning the defilement of the land (Deuteronomy 21:22–23; John 19:31).
Historically, what can be said with relative certainty—based on both Roman historical practice and the canonical texts—is that Jesus of Nazareth was executed by crucifixion under the Roman prefect Pontius Pilate, at the instigation of local authorities in Jerusalem. This is corroborated not only by the Gospels but also by early non-Christian sources like Tacitus (Annals 15.44) and Josephus (Antiquities 18.3.3), making the crucifixion one of the most firmly established events in the life of Jesus from a historical standpoint.[9]
Notes
[1] Alexander Metherell, M.D., Ph.D., in Lee Strobel, The Case for Christ (Grand Rapids: Zondervan, 1998), 195. See also William D. Edwards et al., “On the Physical Death of Jesus Christ,” JAMA 255, no. 11 (1986): 1455–1463.
[2] John P. Mattingly, Crucifixion: Its Origin and Application to Christ (Unpublished Th.M. Thesis, Dallas Theological Seminary, 1961).
[3] Josephus, Jewish War 6.5.3; Seneca the Younger, De Consolatione ad Marciam, 20.3.
[4] J.H. Bernard, A Critical and Exegetical Commentary on the Gospel According to St. John, ICC (Edinburgh: T&T Clark, 1928), 2:629.
[5] Vassilios Tzaferis, “Crucifixion—The Archaeological Evidence,” Biblical Archaeology Review 11, no. 1 (1985): 44–53.
[6] Edwards et al., “On the Physical Death of Jesus Christ,” JAMA (1986).
[7] James Thompson, cited in Paul S. Taylor, "How Did Jesus Christ Die?," Christian Answers Network, 2003; Samuel Houghton, “What Was the Physical Cause of the Death of Jesus?” British Medical Journal (1903): 556–557.
[8] Appian, Civil Wars 1.120.
[9] Tacitus, Annals 15.44; Josephus, Antiquities 18.3.3.
Thursday, April 21
How Did Jesus Die?
Thursday, April 14
The Power of Forgiveness
Troy Hillman
Sunday, April 10
Did Jesus Really Exist? Is There Any Historical Evidence?
4th Century Depiction of the "Good Shepherd" |
Roman portrait bust allegedly of Josephus |
Jim Caviezel as Jesus (From Passion of the Christ) |
Friday, April 8
INRI: What Was Written Over Jesus On The Cross?
It is Passover season, around 30–33 CE. Three men hang on crosses at Golgotha, just outside Jerusalem. According to the Gospel narratives, the man in the middle, Jesus of Nazareth, has an inscription posted above his head. But exactly what did the inscription say? The Gospels offer slightly different versions:
- Matthew 27:37: "This is Jesus, the King of the Jews."
- Mark 15:26: "The King of the Jews."
- Luke 23:38: "This is the King of the Jews."
- John 19:19: "Jesus of Nazareth, the King of the Jews."
At first glance, this raises a well-known question often discussed in both theological and historical circles: Do these differences represent a contradiction?
Historically, it was Roman custom to post a placard, or titulus, above a crucifixion victim, stating the crime or charge. This served as a public deterrent and a declaration of Roman authority. The Gospels seem to agree on two essential points: the inscription identified Jesus as "King of the Jews," and it was placed prominently above him during the crucifixion.
According to John’s Gospel, the sign was multilingual—written in Aramaic (or Hebrew), Latin, and Greek (John 19:20). This multilingual practice fits Roman policy, especially in areas like Judea where diverse populations lived under Roman control. Latin was the official language of the Roman government, Greek served as the lingua franca of the eastern Mediterranean, and Aramaic (or Hebrew) was the local language spoken by many Jews.
The variations across the Gospels likely reflect how each writer tailored their narrative for their audience and theological purpose:
- John emphasizes Pilate’s authorship and presents the full version: "Jesus of Nazareth, the King of the Jews." Some scholars suggest this reflects the Latin version (Iesus Nazarenus Rex Iudaeorum), often abbreviated as INRI in Christian art and iconography.
- Luke, writing for a Greek-speaking audience (possibly Theophilus, as addressed in Luke 1:3), offers: "This is the King of the Jews." Some suggest this may echo the Greek version of the inscription.
- Matthew, traditionally seen as addressing a Jewish audience, presents: "This is Jesus, the King of the Jews." Some propose this might reflect the Aramaic (or Hebrew) rendering.
- Mark, known for his shorter, action-focused style, gives the briefest form: "The King of the Jews."
Some Biblical scholars have attempted to harmonize these accounts by suggesting that each Gospel writer is quoting one language version of the sign, or selecting phrases that best suit their narrative aims. Others note that it’s equally possible that each writer simply preserved a version they were familiar with, without concern for exact word-for-word precision. After all, all four agree on the core content: Jesus was crucified under the title of "King of the Jews."
The urge to harmonize the Gospel differences is not a new one. Tatian’s Diatessaron, a 2nd-century harmony of the four canonical Gospels, weaves together Matthew, Mark, Luke, and John into a single coherent narrative. While the original Syriac version is lost, our reconstructions (via later Arabic, Latin, and Syriac translations) preserve how Tatian merged overlapping Gospel traditions. For the inscription, Tatian seems to have opted for the most inclusive, combined wording. He essentially harmonizes all four Gospel snippets into a full statement similar to: “This is Jesus the Nazarene, the King of the Jews.” This matches the long version in John, while also incorporating the "This is…" phrasing from Matthew and Luke. Tatian’s version is a clear attempt to unify differing Gospel accounts into one inscription.
Textual critics and historians often frame these kinds of Gospel variations as differences in literary reporting, not necessarily as contradictions. Ancient authors did not always share modern expectations for word-for-word accuracy across parallel reports. Instead, each Gospel preserves a version that emphasizes particular theological or narrative points.
For those interested in harmonization, one proposed reconstruction is that the full inscription was something like: "This is Jesus of Nazareth, the King of the Jews"—a synthesis covering the elements found in all four Gospels. But it’s worth remembering that the original inscription would have existed in three languages, each with its own phrasing, alphabet, and syntax. Differences between the Gospels may simply reflect which version the writer chose to highlight.
The trilingual nature of the inscription underscores the political and cultural complexity of Jerusalem in the first century. It also highlights Pilate’s role. According to John, when Jewish authorities objected to the wording, Pilate famously replied: "What I have written, I have written" (John 19:22)—an example of Roman authority asserting itself in the face of local pressure.
The inscription’s reference to kingship, framed as an accusation or crime, points directly to the charge under which Jesus was executed: sedition against Rome under the pretense of a messianic kingship claim. This is consistent with Roman practice for dealing with perceived political threats.
In short, while the Gospels present different wordings of the inscription, all four agree on the central issue: Jesus was crucified under a public declaration that he was "King of the Jews." Whether seen as ironic mockery by Pilate, or as a theological proclamation by later Christian readers, the inscription remains one of the most historically attested features of the crucifixion narratives.
Sources:
Taylor, Paul S. "What do the letters 'INRI' on the crucifix mean?" Christian Answers Network, 1998.
Grigg, Russell M. "Why do all four Gospels contain different versions of the inscription on the Cross?" Christian Answers Network / Creation Ministries International, 1997.
Trans. Hope W. Hogg. “The Diatessaron of Tatian.” Ante-Nicene Fathers, Volume IX. 1895.